Sumber Filem_noir

  • Abbas, M. Ackbar (1997). Hong Kong: Culture and the Politics of Disappearance. Minneapolis: University of Minnesota Press. ISBN 978-0-8166-2924-4
  • Appel, Alfred (1974). Nabokov's Dark Cinema. Oxford and New York: Oxford University Press. ISBN 978-0-19-501834-9
  • Aziz, Jamaluddin Bin (2005). "Future Noir", chap. in "Transgressing Women: Investigating Space and the Body in Contemporary Noir Thrillers". Ph. D. dissertation, Department of English and Creative Writing, Lancaster University (chapter available online).
  • Ballinger, Alexander, and Danny Graydon (2007). The Rough Guide to Film Noir. London: Rough Guides. ISBN 978-1-84353-474-7
  • Bernstein, Matthew (1995). "A Tale of Three Cities: The Banning of Scarlet Street", Cinema Journal 35, no. 1.
  • Biesen, Sheri Chinen (2005). Blackout: World War II and the Origins of Film Noir. Baltimore: Johns Hopkins University Press. ISBN 978-0-8018-8217-3
  • Borde, Raymond, and Etienne Chaumeton (2002 [1955]). A Panorama of American Film Noir, 1941–1953, trans. Paul Hammond. San Francisco: City Lights Books. ISBN 978-0-87286-412-2
  • Bould, Mark (2005). Film Noir: From Berlin to Sin City. London and New York: Wallflower. ISBN 978-1-904764-50-2
  • Butler, David (2002). Jazz Noir: Listening to Music from Phantom Lady to The Last Seduction. Westport, Conn.: Greenwood. ISBN 978-0-275-97301-8
  • Cameron, Ian, ed. (1993). The Book of Film Noir. New York: Continuum. ISBN 978-0-8264-0589-0
  • Christopher, Nicholas (1998 [1997]). Somewhere in the Night: Film Noir and the American City, 1st paperback ed. New York: Owl/Henry Holt. ISBN 978-0-8050-5699-0
  • Clarens, Carlos (1980). Crime Movies: An Illustrated History. New York: W.W. Norton. ISBN 978-0-393-01262-0
  • Conard, Mark T. (2007). The Philosophy of Neo-Noir. Lexington: University Press of Kentucky. ISBN 978-0-8131-2422-3
  • Copjec, Joan, ed. (1993). Shades of Noir. London and New York: Verso. ISBN 978-0-86091-625-3
  • Creeber, Glen (2007). The Singing Detective. London: BFI Publishing. ISBN 978-1-84457-198-7
  • Dancyger, Ken, and Jeff Rush (2002). Alternative Scriptwriting: Successfully Breaking the Rules, 3d ed. Boston and Oxford: Focal Press. ISBN 978-0-240-80477-4
  • Dargis, Manohla (2004). "Philosophizing Sex Dolls amid Film Noir Intrigue", The New York Times, September 17 (available online).
  • Davis, Blair (2004). "Horror Meets Noir: The Evolution of Cinematic Style, 1931–1958", in Horror Film: Creating and Marketing Fear, ed. Steffen Hantke. Jackson: University Press of Mississippi. ISBN 978-1-57806-692-6
  • Downs, Jacqueline (2002). "Richard Fleischer", in Contemporary North American Film Directors: A Wallflower Critical Guide, 2d ed., ed. Yoram Allon, Del Cullen, and Hannah Patterson. London and New York: Wallflower. ISBN 978-1-903364-52-9
  • Durgnat, Raymond (1970). "Paint It Black: The Family Tree of the Film Noir", Cinema 6/7 (collected in Gorman et al., The Big Book of Noir, and Silver and Ursini, Film Noir Reader [1]).
  • Erickson, Glenn (2004). "Fate Seeks the Loser: Edgar G. Ulmer's Detour", in Silver and Ursini, Film Noir Reader 4, pp. 25–31.
  • Gorman, Ed, Lee Server, and Martin H. Greenberg, eds. (1998). The Big Book of Noir. New York: Carroll & Graf. ISBN 978-0-7867-0574-0
  • Greene, Naomi (1999). Landscapes of Loss: The National Past in Postwar French Cinema. Princeton, N.J.: Princeton University Press. ISBN 978-0-691-00475-4
  • Greenspun, Roger (1973). "Mike Hodges's 'Pulp' Opens; A Private Eye Parody Is Parody of Itself", The New York Times, February 9 (available online).
  • Hanson, Helen (2008). Hollywood Heroines: Women in Film Noir and the Female Gothic Film. London and New York: I.B. Tauris. ISBN 978-1-84511-561-6
  • Hayde, Michael J. (2001). My Name's Friday: The Unauthorized But True Story of Dragnet and the Films of Jack Webb. Nashville, Tenn.: Cumberland House. ISBN 978-1-58182-190-1
  • Hirsch, Foster (1999). Detours and Lost Highways: A Map of Neo-Noir. Pompton Plains, N.J.: Limelight. ISBN 978-0-87910-288-3
  • Hirsch, Foster (2001 [1981]). The Dark Side of the Screen: Film Noir. New York: Da Capo. ISBN 978-0-306-81039-8
  • Holden, Stephen (1999). "Hard-Boiled as a Two-Day-Old Egg at a Two-Bit Diner", The New York Times, October 8 (available online).
  • Holm, D. K. (2005). Film Soleil. Harpenden, UK: Pocket Essentials. ISBN 978-1-904048-50-3
  • Hunter, Stephen (1982). "Blade Runner", in his Violent Screen: A Critic's 13 Years on the Front Lines of Movie Mayhem (1995), pp. 196–99. Baltimore: Bancroft. ISBN 978-0-9635376-4-5
  • Irwin, John T. (2006). Unless the Threat of Death is Behind Them: Hard-Boiled Fiction and Film Noir. Baltimore: Johns Hopkins University Press. ISBN 978-0-8018-8435-1
  • James, Nick (2002). "Back to the Brats", in Contemporary North American Film Directors, 2d ed., ed. Yoram Allon, Del Cullen, and Hannah Patterson, pp. xvi–xx. London: Wallflower. ISBN 978-1-903364-52-9
  • Jones, Kristin M. (2009). "Dark Cynicism, British Style", Wall Street Journal, August 18 (available online).
  • Kennedy, Harlan (1982). "Twenty-First Century Nervous Breakdown", Film Comment, July/August.
  • Kirgo, Julie (1980). "Farewell, My Lovely (1975)", in Silver and Ward, Film Noir: An Encyclopedic Reference, pp. 101–2.
  • Kolker, Robert (2000). A Cinema of Loneliness, 3d ed. Oxford and New York: Oxford University Press. ISBN 978-0-19-512350-0
  • Krutnik, Frank, Steve Neale, and Brian Neve (2008). "Un-American" Hollywood: Politics and Film in the Blacklist Era. New Brunswick, N.J.: Rutgers University Press. ISBN 978-0-8135-4198-3
  • Lynch, David, and Chris Rodley (2005). Lynch on Lynch, rev. ed. New York and London: Faber and Faber. ISBN 978-0-571-22018-2
  • Lyons, Arthur (2000). Death on the Cheap: The Lost B Movies of Film Noir. New York: Da Capo. ISBN 978-0-306-80996-5
  • Macek, Carl (1980). "City Streets (1931)", in Silver and Ward, Film Noir: An Encyclopedic Reference, pp. 59–60.
  • Macek, Carl, and Alain Silver (1980). "House on 92nd Street (1945)", in Silver and Ward, Film Noir: An Encyclopedic Reference, pp. 134–35.
  • Mackendrick, Alexander (2006). On Film-making: An Introduction to the Craft of the Director. New York: Macmillan. ISBN 978-0-571-21125-8
  • Marshman, Donald (1947). "Mister 'See'-Odd-Mack'", Life, August 25.
  • Martin, Richard (1997). Mean Streets and Raging Bulls: The Legacy of Film Noir in Contemporary American Cinema. Lanham, Md.: Scarecrow Press. ISBN 0-8108-3337-9
  • Maslin, Janet (1996). "Deadly Plot by a Milquetoast Villain", The New York Times, March 8 (available online).
  • McGilligan, Patrick (1997). Fritz Lang: The Nature of the Beast. New York and London: Faber and Faber. ISBN 978-0-571-19375-2
  • Muller, Eddie (1998). Dark City: The Lost World of Film Noir. New York: St. Martin's. ISBN 978-0-312-18076-8
  • Naremore, James (2008). More Than Night: Film Noir in Its Contexts, 2d ed. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-520-25402-2
  • Neale, Steve (2000). Genre and Hollywood. London and New York: Routledge. ISBN 978-0-415-02606-2
  • Ottoson, Robert (1981). A Reference Guide to the American Film Noir: 1940–1958. Metuchen, N.J., and London: Scarecrow Press. ISBN 978-0-8108-1363-2
  • Palmer, R. Barton (2004). "The Sociological Turn of Adaptation Studies: The Example of Film Noir", in A Companion To Literature And Film, ed. Robert Stam and Alessandra Raengo, pp. 258–77. Maiden, Mass., Oxford, and Carlton, Australia: Blackwell. ISBN 978-0-631-23053-3
  • Place, Janey, and Lowell Peterson (1974). "Some Visual Motifs of Film Noir", Film Comment 10, no. 1 (collected in Silver and Ursini, Film Noir Reader [1]).
  • Porfirio, Robert (1980). "Stranger on the Third Floor (1940)", in Silver and Ward, Film Noir: An Encyclopedic Reference, p. 269.
  • Ray, Robert B. (1985). A Certain Tendency of the Hollywood Cinema, 1930–1980. Princeton, N.J.: Princeton University Press. ISBN 978-0-691-10174-3
  • Richardson, Carl (1992). Autopsy: An Element of Realism in Film Noir. Metuchen, N.J., and London: Scarecrow Press. ISBN 978-0-8108-2496-6
  • Sanders, Steven M. (2006). "Film Noir and the Meaning of Life", in The Philosophy of Film Noir, ed. Mark T. Conard, pp. 91–106. Lexington: University Press of Kentucky. ISBN 978-0-8131-9181-2
  • Sarris, Andrew (1996 [1968]). The American Cinema: Directors and Directions, 1929–1968. Cambridge, Mass.: Da Capo. ISBN 978-0-306-80728-2
  • Schatz, Thomas (1981). Hollywood Genres: Formulas, Filmmaking, and the Studio System. New York: Random House. ISBN 978-0-07-553623-9
  • Schatz, Thomas (1998 [1996]). The Genius of the System: Hollywood Filmmaking in the Studio Era, new ed. London: Faber and Faber. ISBN 978-0-571-19596-1
  • Schrader, Paul (1972). "Notes on Film Noir", Film Comment 8, no. 1 (collected in Silver and Ursini, Film Noir Reader [1]).
  • Server, Lee (2002). Robert Mitchum: "Baby I Don't Care". New York: Macmillan. ISBN 978-0-312-28543-2
  • Server, Lee (2006). Ava Gardner: "Love Is Nothing". New York: Macmillan. ISBN 978-0-312-31209-1
  • Silver, Alain (1996 [1975]). "Kiss Me Deadly: Evidence of a Style", rev. ver., in Silver and Ursini, Film Noir Reader [1], pp. 209–35 (available online).
  • Silver, Alain (1996). "Introduction", in Silver and Ursini, Film Noir Reader [1], pp. 3–15 (available online).
  • Silver, Alain, and James Ursini (and Robert Porfirio—vol. 3), eds. (2004 [1996–2004]). Film Noir Reader, vols. 1–4. Pompton Plains, N.J.: Limelight.
  • Silver, Alain, and Elizabeth Ward (1992). Film Noir: An Encyclopedic Reference to the American Style, 3d ed. Woodstock, N.Y.: Overlook Press. ISBN 978-0-87951-479-2 (See also: Silver, Ursini, Ward, and Porfirio [2010]. Film Noir: The Encyclopedia, 4th rev., exp. ed. Overlook. ISBN 978-1-59020-144-2)
  • Slocum, J. David (2001). Violence and American Cinema. London and New York: Routledge. ISBN 978-0-415-92810-6
  • Spicer, Andrew (2007). European Film Noir. Manchester, UK: Manchester University Press. ISBN 978-0-7190-6791-4
  • Telotte, J. P. (1989). Voices in the Dark: The Narrative Patterns of Film Noir. Urbana and Chicago: University of Illinois Press. ISBN 978-0-252-06056-4
  • Thomson, David (1998). A Biographical Dictionary of Film, 3d ed. New York: Knopf. ISBN 978-0-679-75564-7
  • Turan, Kenneth (2008). "UCLA's Pre-Code Series", Los Angeles Times, January 27 (available online).
  • Tuska, Jon (1984). Dark Cinema: American Film Noir in Cultural Perspective. Westport, Conn., and London: Greenwood. ISBN 978-0-313-23045-5
  • Tyree, J. M., and Ben Walters (2007). The Big Lebowski. London: BFI Publishing. ISBN 978-1-84457-173-4
  • Ursini, James (1995). "Angst at Sixty Fields per Second", in Silver and Ursini, Film Noir Reader [1], pp. 275–87.
  • "Variety staff" (anon.) (1940). "Stranger on the Third Floor" [review], Variety (excerpted online).
  • "Variety staff" (anon.) (1955). "Kiss Me Deadly" [review], Variety (excerpted online).
  • Vernet, Marc (1993). "Film Noir on the Edge of Doom", in Copjec, Shades of Noir, pp. 1–31.
  • Wager, Jans B. (2005). Dames in the Driver's Seat: Rereading Film Noir. Austin: University of Texas Press. ISBN 978-0-292-70966-9
  • Walker, Michael (1992). "Robert Siodmak", in Cameron, The Book of Film Noir, pp. 110–51.
  • White, Dennis L. (1980). "Beast of the City (1932)", in Silver and Ward, Film Noir: An Encyclopedic Reference, pp. 16–17.
  • Widdicombe, Toby (2001). A Reader's Guide to Raymond Chandler. Westport, Conn.: Greenwood. ISBN 978-0-313-30767-6
  • Williams, Linda Ruth (2005). The Erotic Thriller in Contemporary Cinema. Bloomington: Indiana University Press. ISBN 978-0-253-34713-8

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