Rujukan Pic_(muzik)

↑ Anssi Klapuri and Manuel Davy (2006). Signal processing methods for music transcription. Springer. m/s. 8. ISBN 978-0-387-30667-4.
↑ Plack, Christopher J. (2005). Pitch: Neural Coding and Perception. Springer. ISBN 0-387-23472-1. For the purposes of this book we decided to take a conservative approach, and to focus on the relationship between pitch and musical melodies. Following the earlier ASA definition, we define pitch as 'that attribute of sensation whose variation is associated with musical melodies.' Although some might find this too restrictive, an advantage of this definition is that it provides a clear procedure for testing whether or not a stimulus evokes a pitch, and a clear limitation on the range of stimuli that we need to consider in our discussions. Parameter |coauthors= tidak diketahui diabaikan (guna |author=) (bantuan)
↑ Randel, Don Michael, penyunting (2003). The Harvard Dictionary of Music (edisi 4). Harvard University Press. m/s. 499. ISBN 978-0-674-01163-2. Melody: In the most general case, a coherent succession of pitches. Here pitch means a stretch of sound whose frequency is clear and stable enough to be heard as not noise; succession means that several pitches occur; and coherent means that the succession of pitches is accepted as belonging together.
↑ Roy D. Patterson, Etienne Gaudrain, and Thomas C. Walters (2010). "The Perception of Family and Register in Musical Tones". dalam Mari Riess Jones, Richard R. Fay, and Arthur N. Popper. Music Perception. Springer. m/s. 37–38. ISBN 978-1-4419-6113-6. Selenggaraan CS1: Pelbagai nama: senarai pengarang (link)
↑ Hartmann, William Morris (1997). Signals, Sound, and Sensation. Springer. m/s. 145, 284, 287. ISBN 1-56396-283-7.
↑ Plack, Christopher J. (2005). Pitch: Neural Coding and Perception. Springer. ISBN 0-387-23472-1. Parameter |coauthors= tidak diketahui diabaikan (guna |author=) (bantuan)
↑ Robert A. Dobie and Susan B. Van Hemel (2005). Hearing loss: determining eligibility for Social Security benefits. National Academies Press. m/s. 50–51. ISBN 978-0-309-09296-8.
↑ E. Bruce Goldstein (2001). Blackwell handbook of perception (edisi 4th). Wiley-Blackwell. m/s. 381. ISBN 978-0-631-20683-5.
↑ Richard Lyon and Shihab Shamma (1996). "Auditory Representation of Timbre and Pitch". dalam Harold L. Hawkins and Teresa A. McMullen. Auditory Computation. Springer. m/s. 221–223. ISBN 978-0-387-97843-7.

Rujukan